A MIDSUMMER NIGHT'S DREAM AT POP-UP GLOBE


BY Laura Kenny

While we all grew up reading Shakespeare plays, in a lot of Australian students, the fun and cheek and debauchery of Shakespeare’s plays went undetected. Enter Pop-Up Globe, a New Zealand based theatre company performing Shakespeare plays in the extremely physical and interactive way that academics suggest it would have been in Shakespeare’s day.

The flagship comedy of this season is A Midsummer Night’s Dream is pure elation to watch. Outside of the physical joy of entering a replica of Shakespeare’s second Globe Theatre in London, the production itself breathes a new, light life into the plays.  

The stage opens out onto the Groundlings who are walked through, talked to, flirted with, and splashed with blood in the continuous game of playing with audience expectations through the show. The open to air venue is chilly but packed to the gunnels with keen sippers of mulled wine. Before even beginning the performance, the feat of the Pop Up itself rears its head into your mind. The Players (in costume as Tradies) are outside before you enter, posing for photos, and singing in character as Bottom's troupe of actors. The atmosphere is full of eager grins and from that high platform is continues to deliver.

Each and every one of the players is a ball of talent, bringing juiciness into their characters that we know so well. Still, a special mention has to go to the leads playing Bottom, Puck and Titania whose mere appearance brings howls and hoots from the audience. The energy Bottom draws from the crowd in his egocentric and engrossing body language and incredibly expressive eyes is giggle-bait for two hours. 

Perhaps one of the most delectable adaptations the New Zealand players bring to this imaginative play is their choice to make Titania, Oberon and the Fairies including the sweet-as-a-peach-guilty-faced Puck an evocation of Māori culture. Excluding a few keys words in English, the cast masterfully conducts Fairy to Fairy conversation te reo Māori and wear very tongue in cheek traditional Polynesian grass-skirts. The mystic flavour of the action is brought into a fresh and vibrant colourfulness with this choice, especially when juxtaposed by the "rude mechanicals"  costumes as present day tradies in hi-vis singing jovial work songs.

A Midsummer Night's dream has never so lived up to its name in this playful, and irresistibly bold rendition, facilitated by the game as hell and fearless multi talented actors.  


I've watched Shakespeare at the Opera House that didn't scratch the surface of quality seen in this production. If you've always yearned for a Shakespeare play performed without taking itself seriously, this is your jackpot. 

Last but not least, it's worth remembering as you dive into the crowd, that these players are on every night with some matinees too, performing FOUR plays. The sheer magnitude of each player owning a minimum of four character's worth of line and life is a head-scratcher for anyone who's ever tried to memorise a soliloquy. 

Tickets are still available for the season to see A Midsummer Night's Dream as well as The Merchant of Venice, Macbeth and A Comedy of Errors. I dare you not to be engrossed. Tickets range from $30 to over $100 dollars with the elevated seats. With Entertainment Quarter flat rate parking at $7, a Groundling ticket experience is a perfect week night delight. 


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