‘‘‘Sync’ is one of those words that elicit this vague, lost feeling. There’s nothing specific about it, you can’t categorise things into it, so I think it’s one of those broad, sweeping terms about being caught in life’s riptide. To be in sync is the ideal, but I feel the older I get, the less it feels attainable. In a literary context, it may be about the union between reader and writer, the foundation of the quintessential experience of storytelling. ‘Sync’ is intangible, but it directly refers to the notion that we can be one, the act of sharing stories briefly enabling us to attain that ideal.
In the past year, I’ve had this sinking feeling of not having enough, namely not having enough time. We sync to stories because they simultaneously exist within and from within others, and yet so many people’s music never gets to be shared. In our contemporary sociocultural context, ‘sync’ again refers to connection but on a simpler level. New connections seem harder, and we desperately hold onto established connections— we are in sync about our anxieties, but also in seeing the light and our hope that things will get better. Like the feeling of springtime or a walk in the rain, ‘sync’ is quietly appreciating and making enough of our lives— that is the ideal. In conventional narrative, the struggle is always the protagonist being out of sync in some way and finding themselves, so maybe ‘sync’ is a coming-of-age, an acceptance, a catharsis."
-Marco Lam, UNSWeetened 2022 Editor