As artificial intelligence becomes increasingly embedded into our lives, Stella can’t help but wonder what it would be like to talk to a robot. This Japanese film explores this through memory, grief, and love.
As an avid fan of murder mysteries, Reet reviews the first two episodes of The Killings at the Parrish Station, which premiered at the Sydney Film Festival.
To many, climate change seems like a remote danger. Sara Dosa and Andri Snær Magnason’s Time and Water reveals that for others, it is not just here, but it’s causing devastation to once unchangeable lands.
An autoethnographic review of Anoop Lokkur’s ‘Don’t Tell Mother’ by a girl from Kerala who has been through the elementary years of the school system.
Joy reviews sci-fi horror Imposters, the SFF feature she can’t stop thinking about.
Neve reviews the new Australian horror film screened during the Sydney Film Festival, ‘Leviticus’.
Blue Moon is a heartwarming film to watch with friends and family, urging you to reach out and give them the hug Hart deserved.
The Life of Chuck is not the cause of our inaction; it is a glaring consequence.
Patricia Byrnes reviews her surprise after viewing the romantic drama at this year’s Sydney Film Festival.
Sorry to disappoint all you Ocean's 11 fans, but this is not a heist movie.
Twinless brings the authenticity and heart that I think so often keeps me away from seeing the movies that are shown in cinemas.
Madeline dives into Aaron Schimberg's A Different Man (2024) which explores identity and self-acceptance through the journey of Edward, who cures his facial disfigurement only to find his insecurities unchanged.
Patricia shares her thoughts on Yorgos Lanthimos’ new absurdist anthology film, Kinds of Kindness (2024).
Anu shares her thoughts on Farhad Delaram’s evocative, thought-provoking road trip drama, Achilles (2024).
Nandini shares her thoughts on Christy Hall's feature directorial debut, Daddio (2023).
Dylan reflects on the nuances of biker gang culture in director Jeff Nichols' new star-studded film, ‘The Bikeriders.’
Jeanette dives into I Saw The TV Glow (2024), the latest introspective art-horror flick from Jane Schoenbrun and beloved indie film studio A24.
Emma delves into the Alienoid franchise, a mind-bending duology that combines aliens, robots, magic, and time travel into a thrilling narrative.
Amelia explores The Battle for Laikipia (2024), a stark and urgent depiction of the intersectional battles faced by tribal and white pastoralists in Laikipia.
Ysabel shares her thoughts on Patrick Dickinson’s Cottontail (2023), adapted from Dickinson’s own short Usagi-san (Mr Rabbit) (2013).
Esther shares her thoughts on Matthias Glasner’s compelling sensation and winner of the Silver Bear in Berlin, Dying (2024).
Juno shares her thoughts on Jonathan Ogilvie’s largely autobiographical film about his own coming of age and the 70’s punk scene.
Madeline Kahl
Ineke Jones
Alexa ranks our the childhood cult classic, Papa's Pizzeria games. Where does your favourite lie in the ranks?
Lana dotes on her experience at Harry's Love on Tour in Sydney, at Qudos Bank Arena.
Prudence dives deep into the temptation to play life simulator games over life.
