I spent a lot of time with Lyuba. I was learning to read her, trying to discern her tiny, round feet in all the letters, and trying to imagine what her eyes looked like with the snow reflected in them. I’d like to think I read through the whole library, but I didn’t. I just started to get the sense that I knew the author.
There are only a few features that distinguish a woolly mammoth, like Lyuba, from Elephas Maximus, our modern-day Asian elephant. Woolly mammoths had smaller ears and a thick coat of fur to prevent the heat from leaving their body, and their tusks were significantly longer and curlier. While many people think they were larger, they were actually around the same size, but with a different sort of posture— more humped at the front, and shorter back legs. It was my job to locate these features in the genome: the paragraphs which spelled out “fur,” “ears,” “tusks,” and “vertebrae.” Then I could graft these into the zygote of an Asian elephant until it became something different, and sew it all back up with chemical threads and needles. This was what they told me to do, and I was unfortunate enough to be the only one who knew how to do it. In this stuffy office building, “how” came before “why.”
On the night I slept in the library I could hear the books resting their shoulders against each other and making their deep earthy noises. I closed my eyes and found the shape of Lyuba scattered between the shelves, and she came together as I fell away from the dull carpet floor and back to a time which was more comfortable for her. I saw the snowy ground with pine needles scattered into it.
And I saw her.
She was between her parents’ legs as they walked amongst the colossal trees. But she was not her; I could see her skin was dull and hairless, and my mouth became dry, and I ran to her, ducking between stone pendulum legs.
‘Lyuba, Lyuba, what’s wrong with you?’
I gathered her in my arms, but she began to crumble away like rotting wood, skin flaking in my hands. I felt the bony joints first and it was all I could do to keep rubbing away at the mess until I came to what was underneath. I recognised it immediately. It was the carcass we had found in Siberia. I could smell the dead alcohol on my hands as I gripped her shrivelled trunk. Then I woke.
When I checked, Lyuba was in her tank in the other room, humming as always.
***
It was painful at the keyboard, typing for all those weeks with sweat in my eyes. It felt like digging and slowly I unearthed it all— first with a shovel and later with a chisel and hammer, until I could see what gleamed under the surface. The computer chirped. My glasses rested on top of my head, crooked as always. Lyuba hummed louder because she knew I had found her.
We just needed a womb for her to grow.
They got a real Asian elephant—the surrogate mother— flown in from Thailand or Myanmar, I forget. I couldn’t help but smile when I first saw her stumble from the truck they had placed her in, all legs and ears with a great rolling barrel of a body. All my dreams of wool made her seem like a balding old man, but she was beautiful in her own sense with long eyelashes and a real intelligence which you could see in her curious trunk. Her name was Aya, and I cried when they made her conceive the child I had typed and edited into being.
Lejla, the first living mammoth in tens of millennia, was born in 2021. There is death in all births, and I watched Aya die as the calf’s head emerged from her midsection. Poor old eyes closed, and new ones opened.
‘It’s because of the shape of her spine.’
‘She was too large, and we couldn’t do anything about the internal bleeding.’
I only sat and watched. I was afraid that the cavity they pulled her from should never have been opened in the first place. I went to wash my hands.
***
The tundra is like a slowly heaving chest.
She walks off into the forest with such colossal ease, keeping time, each swaying footstep landing in a polyrhythm with the shivering trees and the rustles of small arctic animals. There is no trembling earth or cracked soil; Lejla is silent. She becomes the forest rather than interrupts it. She is a heap of clay which moulds itself to the frigid air and finds itself surrounded by new sounds: bird, fox, leaf, and insect. Her small ears flick. I can’t help but feel that I moulded her.
There is a yellow tag on her left hind leg which tells us her location, as well as other data about her health and eating habits. She has been scarred by a long childhood of injections and blood samples. I regret all of them. She is a library come alive. The tightening of all the strands. She should have been treated with the same respect as one gives to a silent room.
I love Lejla as Aya would have loved her, and as Lyuba would have loved both of them. I know that one day her bones will sink back into the ground, that her knees will hit the floor and then her mighty tusks and head. But unlike her ancestors, I only hope that they can rest there.
Others watched her walk into the forest. I know they took notes and ran numbers. There are always more people with better computers, newer techniques, and the same excuses. I’ve kept the key to the library. I haven’t visited in weeks. Lejla lives and breathes in front of me, but she also lives in there— in those volumes stacked spine to spine. She is not safe from us, not really. I can only hope they cannot find her as I did.
I can only hope that the dust will settle across those tight, beautiful shelves.